How it works

I vouch for the telling, not for the event.

When you read a memorate here, you can rely on this much: a real person, known to me, told me this account directly, in a recorded interview, and confirmed the written version before it was published. What they saw, heard or felt is theirs to tell. Whether it was what they took it to be is not a claim this catalog makes.

“Someone told me” asks you to take a writer’s word for it. This process is built so that you don’t have to.

How an account gets here

  1. Contact. Someone gets in touch, or I invite them. A message is a request to talk. It is never an entry in the catalog.
  2. A short first conversation. I confirm that it happened to them, that they are an adult, and who they are.
  3. The interview. About an hour, live, by phone, video or in person, recorded with their permission. I ask the same questions every time, beginning with “Tell me what happened, from the beginning, in your own words.” I don’t suggest words, categories or explanations.
  4. The fingerprint. The same day, the original recording gets a digital fingerprint, a code calculated from the file. If the recording were ever altered, the code would no longer match. The fingerprint is published with the memorate. The recording is not.
  5. The write-up. Their account in their words, followed by the same set of details recorded for every case. Where something wasn’t said, the field stays blank.
  6. Their confirmation. They read the write-up and correct anything I got wrong. Nothing is published until they confirm it.
  7. The decision to publish. See What is not published, and why.
  8. Publication, with a line stating how and when the interview was done.

What is not published, and why

I decide what is published, and the reasons are fixed in advance. An account is not published if it turns out not to be firsthand, if I can’t establish who the person is, if it contradicts itself on its central facts, if there are signs it was invented or offered for publicity, or if the person doesn’t confirm the write-up.

How strange an account sounds has no bearing on the decision.

Every interview is counted whether or not it is published, and the counts are on thecatalog page.

If you doubt an account

If you have a serious reason to question whether an interview took place, write to me. I keep the recording, the recorded consent and the dated fingerprint. Some people have agreed in advance to confirm privately that they spoke with me. I won’t play a recording for anyone, or put anyone in touch with a witness, without that person’s consent.

What this catalog doesn’t do

It doesn’t explain the accounts, rank them or argue from them. I have my own views and have written about them elsewhere. They are kept out of the interviews and out of the catalog.